Canelo Is Punching for the Cameras Again

Canelo Alvarez is back throwing punches for the cameras. The clip shows him working on a green surface that suggests a high-end training space rather than a public gym. Footage like this tends to appear when a camp wants to steady the noise around physical decline.

He had surgery on his left elbow last October. That arm has long been the base of his jab and the hook that starts his combinations. Seeing it move freely will register with bookmakers and opponents alike, even if they know the setting is controlled.

Surgery, memory, and selective reassurance

The performance against Terence Crawford left a clear impression for those who have watched this sport long enough to trust patterns over moments. The timing was not quite right. Vision remained sharp. The body lagged behind it.

Crawford, at thirty-eight, managed distance with his feet and did not rush exchanges. Alvarez followed with a certain heaviness that never fully lifted. The elbow surgery was important because it addressed the joint that underpins his leverage. A short training clip cannot replicate the strain of late rounds or the need to reset under pressure.

What the cameras cannot show

The super middleweight division is not short on fighters who study this material carefully. They watch how a fighter plants his feet. They notice when resets take an extra beat. They track where output thins midway through a round.

A championship belt still brings attention and a large gate. That has not changed. What has shifted is the belief around him. The intimidation that once slowed opponents has thinned. Younger fighters now think volume can solve the problem if they stay disciplined.

Alvarez still carries respectable power. That remains. Whether it still dictates terms against sustained movement is harder to read from a quiet gym floor.